- MOVI PRO WIRELESS FOLLOW FOCUS MOVIE
- MOVI PRO WIRELESS FOLLOW FOCUS BLUETOOTH
- MOVI PRO WIRELESS FOLLOW FOCUS DOWNLOAD
We also understand that, while imagination may be limitless, budgets aren’t. We understand that a piece of gear going down during an important shoot can affect your reputation. We understand the need for reliable, dependable equipment. As filmmakers, we understand the challenges our customers face on a daily basis. Our staff is almost entirely composed of seasoned professionals whose first love is the world of film and video. The company has a database of lenses in the app that is constantly being updated.
MOVI PRO WIRELESS FOLLOW FOCUS DOWNLOAD
A great feature that PD Movie’s follow focus has is that it allows you to download lens data or save your own custom lens data in the app. Because of this, you can minimize each column in the app so that you can focus on looking at only one or two different channels and you can customize the screen in the app so that you’ll only see the channels that you’re interested in. You won’t always have to use all three channels on the follow focus unless you’re using a high end lens. In the app, you’re also able to change the motor direction to correspond with the wheel’s direction on the follow focus. This comes in handy because it keeps you from accidentally making any changes during a shoot. In the app, you can also lock the Focus, Zoom, and Iris, which will turn black in the app and won’t let you make changes to the motors. Set where you want to zoom for 10 seconds).
In addition, you can create timed zooms (i.e. In the app, you can set your A and B stops. To adjust the focus of your lens, you can either touch the app screen or physically turn the wheel on the follow focus. To start using the follow focus, you just have to set the motor to the same channel as the handset and then calibrate your system to the lens.
MOVI PRO WIRELESS FOLLOW FOCUS BLUETOOTH
The phone connects to the handset via Bluetooth while the handset communicates to the receiver through a wireless signal. With the PD3 Remote Air Pro, you’re able to control all three motors with an iPhone app, which is a first of its kind and is compatible with the Apple iPhone 6, 6s, 6 Plus, 6s Plus, and the iPod touch. The system is easy to use and well-liked because you don’t have to add another receiver and more Lemo cables onto your setup. Essentially, information is traveling both ways in order for this follow focus to work. The power goes into the last motor and then travels and goes all the way back to the receiver motor. Information will go into the receiver and then is transferred to other motors when they are daisy chained together.
Also, the Remote Air Pro comes with a handset that communicates with the motor. This is different from other systems that require you to mount an additional receiver. The kits include a receiver motor, which is basically a receiver that is built into one of the motors. The PD3 Remote Air Pro comes in three different kits: a single motor, two motor, or three motor kit (1 receiver, 2 standard motors). The company, PD Movie, offers an affordable and popular line of wireless follow focuses.
MOVI PRO WIRELESS FOLLOW FOCUS MOVIE
PD Movie Remote Air Pro Wireless Follow Focus Having the ability to control the lens remotely can really open up your cinematography to more creative opportunities. A wireless system makes things easier so you can control the lens without having to stand next to the camera. A wireless follow focus is important to have if you’re mounting a camera to things such as a gimbal, drone, jibs, cranes, and Steadicams. In addition to a standard follow focus, there is also a wireless follow focus, which is more expensive than a standard one. The follow focus will be controlled through a knob located on the side of the camera where the 1st AC will be positioned. It’s easier to have a team instead of just one person because there’s a lot to control behind the camera and you can’t afford to make mistakes on set.Ī standard follow focus is usually mounted directly to the lens using a 15 or 19mm rod system. It’s normal to see two people behind the camera where one is pulling the focus while the other is operating the camera. The assistant has to be able to make adjustments on the fly. You will also have a First Assistant Camera (1st AC or Focus Puller) to make sure that everything is in focus and the lens settings are correct. On a big video shoot, you will usually have a camera operator whose job is to frame the shot, hold composition, and capture the scene.
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